subject: Alain Resnais subject: Alain Robbe-Grillet creator: Charles Joseph Stivale, 0000-0001-9893-6197
Total is 6 Results
Cinema, Truth, and Time: The Falsifier: Lecture 2, 22 November 1983
10.4231/WMZM-2A58
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 22 November 1983. This is lecture 2 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Alain Resnais Alain Robbe-Grillet Audio Recording crystalline formations Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) Gilles Deleuze Henri Bergson Herman Melville Orson Welles Philosophy the falsifier
Cinema, Truth, and Time: The Falsifier: Lecture 17, 24 April 1984
10.4231/58SA-BD74
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/24/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 24 April 1984. This is lecture 17 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Alain Resnais Alain Robbe-Grillet André Bazin any-space-whatever Audio Recording Carl Dreyer dance cinema Deleuze Recordings Deleuze Seminars depth of field direct time-image Federico Fellini Film Studies (Motion Pictures) Gilles Deleuze Jean Mitry Luchino Visconti montage musical comedy Orson Welles Philosophy pure optical and sound situation Stanley Donen time in pure state Yasujiro Ozu
Cinema, Truth, and Time: The Falsifier: Lecture 22, 12 June 1984
10.4231/AC3X-7Z73
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/24/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 12 June 1984. This is lecture 22 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Agnès Varda Alain Resnais Alain Robbe-Grillet Audio Recording crystalline description Deleuze Recordings Deleuze Seminars direct time-image falsifying narration Film Studies (Motion Pictures) Friedrich Nietzsche Fritz Lang Gilles Deleuze Herman Melville indirect image of time organic description Orson Welles Philosophy powers of the false pure optical or sound description truthful narration
Cinema, Truth, and Time: The Falsifier: Lecture 3, 29 November 1983
10.4231/FXN9-JP70
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 29 November 1983. This is lecture 3 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Alain Bergala Alain Resnais Alain Robbe-Grillet Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) G.W. Leibniz Gilles Deleuze Jorge Luis Borges Maurice Leblanc the falsifier
Cinema 1: The Movement-Image, Lecture 19, 18 May 1982
10.4231/ADCT-AF11
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/17/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 18 May 1982. This is lecture 19 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Alain Resnais Alain Robbe-Grillet Audio Recording Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) French New Novel French New Wave Georges Comtesse Gilles Deleuze Henri Bergson Italian Neorealism (Film) Martin Scorsese Orson Welles Philosophy pure optical and sound situation the movement-image The Time-Image William Wyler
Cinema 1: The Movement-Image, Lecture 20, 25 May 1982
10.4231/TT6T-J475
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/17/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 25 May 1982. This is lecture 20 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Alain Resnais Alain Robbe-Grillet Antonin Artaud Audio Recording cinema-thought link critical mode of image Deleuze Recordings Deleuze Seminars didactic mode of image Film Studies (Motion Pictures) Georges Comtesse Gilles Deleuze Henri Bergson imaginary mode of image Philosophy suspension of the sensory-motor image temporal mode of image the cinematographic Idea the movement-image the pure sensorial image The Time-Image
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