subject: Charles Sanders Peirce subject: affection-image creator: Charles Joseph Stivale, 0000-0001-9893-6197
Total is 3 Results
Cinema: On the Classification of Signs and Time: Lecture 4, 07 December 1982
10.4231/3R4K-RS69
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/22/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 07 December 1982. This is lecture 4 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy affection-image Audio Recording Charles Péguy Charles Sanders Peirce Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) Firstness Gilles Deleuze Henri Bergson Maurice Blanchot Philosophy Secondness Thirdness
Cinema: On the Classification of Signs and Time: Lecture 7, 11 January 1983
10.4231/RSKB-ZH83
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/22/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 11 January 1983. This is lecture 7 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy affection-image Audio Recording Charles Sanders Peirce Deleuze Recordings Deleuze Seminars faciality Film Studies (Motion Pictures) Gilles Deleuze Peirce's nine sign categories perception-image Philosophy Pier Paolo Pasolini Samuel Beckett Zeroness as perception-image
Cinema 1: The Movement-Image, Lecture 12, 09 March 1982
10.4231/9BZN-Y487
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 09 March 1982. This is lecture 12 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy action-image affection-image Alfred North Whitehead American burlesque comedy Audio Recording Charles Sanders Peirce Deleuze Recordings Deleuze Seminars Firstness German Expressionism (Film) Gilles Deleuze Henri Bergson Jean-Luc Godard Maine de Biran Philosophy Secondness Sergei Eisenstein the action-image sequence the movement-image Thirdness
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