subject: Gilles Deleuze subject: F.W. Murnau creator: Charles Joseph Stivale, 0000-0001-9893-6197
Total is 3 Results
Cinema: On the Classification of Signs and Time: Lecture 17, 19 April 1983
10.4231/J776-2264
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 19 April 1983. This is lecture 17 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy Audio Recording colors' intensification Deleuze Recordings Deleuze Seminars dynamic sublime F.W. Murnau Film Studies (Motion Pictures) four steps of the light-image German Expressionism (Film) Gilles Deleuze Jakob Böhme movement as intensity Neoplatonism Philosophy stages of evil “Gründ” or foundation “Un Gründ” or point of opacity
Cinema, Truth, and Time: The Falsifier: Lecture 19, 22 May 1984
10.4231/7F9R-S567
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/24/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 22 May 1984. This is lecture 19 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Audio Recording being-in-the-world crysallization Deleuze Recordings Deleuze Seminars dream-image estrangement F.W. Murnau Film Studies (Motion Pictures) Gilles Deleuze Henri Bergson Philosophy recollection-image René Clair Stanley Donen Vincente Minnelli virtual image
Cinema 1: The Movement-Image, Lecture 2, 17 November 1981
10.4231/Z1BT-2336
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 November 1981. This is lecture 2 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Abel Gance Alfred Hitchcock Audio Recording Billy Wilder cineme Deleuze Recordings Deleuze Seminars Duration Erich von Stroheim extensive movement F.W. Murnau Film Studies (Motion Pictures) French quantitative conception of montage German intensive conception of montage Gilles Deleuze Henri Bergson Jacques Rivette Jean Epstein Jean Grémillon Marcel L'Herbier montage Philosophy Pier Paolo Pasolini Roberto Rossellini Russian dialectic of montage Sergei Eisenstein The Open the shot the Whole Vsevolod Pudovkin Wim Wenders
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