subject: Film Studies (Motion Pictures) subject: Georges Comtesse creator: Daniel W Smith, 0009-0007-2293-2713
10.4231/5Z6C-6381
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/22/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 08 March 1983. This is lecture 13 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy Audio Recording Blaise Pascal chronosigns Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) Firstness Georges Comtesse Gilles Deleuze indirect figures of thought indirect images of time Johann Wolfgang von Goethe Marx Brothers montage of attraction movement-image noosigns Pascal's wager Philosophy Secondness Sergei Eisenstein signs of the movement-image Thirdness
10.4231/ZNNY-6N03
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/24/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 15 March 1983. This is lecture 14 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy Akira Kurosawa Audio Recording Deleuze Recordings Deleuze Seminars experimental cinema Film Studies (Motion Pictures) Georges Comtesse Gilles Deleuze Greek conceptions of time here-now indirect images of time interval Pascal Auger Philosophy
10.4231/QYD2-1T94
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 03 May 1983. This is lecture 19 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy Audio Recording Blaise Pascal Charles Péguy chronosigns Deleuze Recordings Deleuze Seminars dynamic sublime Film Studies (Motion Pictures) G.W. Leibniz G.W.F. Hegel Georges Comtesse Gilles Deleuze Henri Bergson Honoré de Balzac indirect figures of thought indirect image of time interiority of time Marcel Proust mathematical sublime narrative point of view noosigns Philosophy
10.4231/KN67-8S24
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 26 January 1982. This is lecture 8 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy affection-image Albert Lewin American structural cinema Audio Recording Carlos Castaneda close-up D.W. Griffith Deleuze Recordings Deleuze Seminars Dziga Vertov experimental cinema faciality facialization Film Studies (Motion Pictures) G. W. Pabst George Landow Georges Comtesse Gilles Deleuze Henri Bergson Henri-George Clouzot horror genre Ingmar Bergman Jean-Luc Godard Michael Snow Michelangelo Antonioni perception-image Philosophy Richard Pinhas Robert Fripp Sergei Eisenstein The Face the movement-image
10.4231/ADCT-AF11
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/17/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 18 May 1982. This is lecture 19 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Alain Resnais Alain Robbe-Grillet Audio Recording Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) French New Novel French New Wave Georges Comtesse Gilles Deleuze Henri Bergson Italian Neorealism (Film) Martin Scorsese Orson Welles Philosophy pure optical and sound situation the movement-image The Time-Image William Wyler
10.4231/TT6T-J475
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/17/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 25 May 1982. This is lecture 20 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Alain Resnais Alain Robbe-Grillet Antonin Artaud Audio Recording cinema-thought link critical mode of image Deleuze Recordings Deleuze Seminars didactic mode of image Film Studies (Motion Pictures) Georges Comtesse Gilles Deleuze Henri Bergson imaginary mode of image Philosophy suspension of the sensory-motor image temporal mode of image the cinematographic Idea the movement-image the pure sensorial image The Time-Image
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