subject: point of view subject: the monad creator: Daniel W Smith
Total is 3 Results
Leibniz and the Baroque, Lecture 17, May 12, 1987
10.4231/F1EZ-6K24
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/14/2024
Seminar of 20 sessions given by French philosopher Gilles Deleuze at Paris 8-St. Denis University, October 28, 1986, to June 2, 1987, Deleuze’s final seminar in his career. This seventeenth session was presented on May 12, 1987.
20th Century French Philosophy Audio Recording convergent series Deleuze Recordings Deleuze Seminars extension G.W. Leibniz Gilles Deleuze having a body inherence percipits Philosophy point of view primitive active power primitive passive power problem of the body Resistance Singularities substance the event the monad the soul
Leibniz and the Baroque, Lecture 16, May 5, 1987
10.4231/7Z2K-DY27
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/14/2024
Seminar of 20 sessions given by French philosopher Gilles Deleuze at Paris 8-St. Denis University, October 28, 1986, to June 2, 1987, Deleuze’s final seminar in his career. This sixteenth session was presented on May 5, 1987.
20th Century French Philosophy Aristotle Audio Recording composite substance conatus Deleuze Recordings Deleuze Seminars G.W. Leibniz Gilles Deleuze Henri Bergson Mannerism Philosophy Pierre Bayle point of view primary matter primitive active power primitive passive power René Descartes secondary matter simple substance spontaneity substance the monad tiny perceptions
Leibniz and the Baroque, Lecture 19, May 26, 1987
10.4231/MWPS-ED28
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/14/2024
Seminar of 20 sessions given by French philosopher Gilles Deleuze at Paris 8-St. Denis University, October 28, 1986, to June 2, 1987, Deleuze’s final seminar in his career. This nineteenth session was presented on May 26, 1987.
20th Century French Philosophy Audio Recording compossibility Deleuze Recordings Deleuze Seminars expression fold and Baroque freedom G.W. Leibniz Gilles Deleuze harmony having a body individuation inflection lower floor with pleats of matter Perception Philosophy point of view pre-established harmony Singularities substance the Baroque house the event the monad the substantial vinculum upper floor with folds of the soul Vitalism
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