subject: Duration type: dataset date: 2024
Total is 5 Results
What Is A Creative Act? Lecture, 17 March 1987
10.4231/B7TP-8408
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/09/2024
Lecture given by Deleuze at the FEMIS film school on 17 March 1987, with revised French transcription and new English translation.
20th Century French Philosophy Akira Kurosawa André Malraux art and resistance art as counter-information art resisting death blocks of movement Communication concepts control society creative process disciplinary society dreams Duration Film Studies (Motion Pictures) functions in science Fyodor Dostoyevsky Gilles Deleuze information Michel Foucault order-words Paul Klee Philosophy Robert Bresson sovereign society space-times speech acts systems of control the Straubs Video Vincente Minnelli William Shakespeare
Cinema 1: The Movement-Image, Lecture 1, 10 November 1981
10.4231/AQ3N-Z997
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 10 November 1981. This is lecture 1 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy any-instants-whatever Audio Recording cinema and thought cinematographic perception cinematographic thought Deleuze Recordings Deleuze Seminars Duration extensive movement Film Studies (Motion Pictures) Galileo Gilles Deleuze Henri Bergson Immanuel Kant Johannes Kepler Philosophy René Descartes signs of the movement-image
Cinema 1: The Movement-Image, Lecture 2, 17 November 1981
10.4231/Z1BT-2336
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 November 1981. This is lecture 2 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Abel Gance Alfred Hitchcock Audio Recording Billy Wilder cineme Deleuze Recordings Deleuze Seminars Duration Erich von Stroheim extensive movement F.W. Murnau Film Studies (Motion Pictures) French quantitative conception of montage German intensive conception of montage Gilles Deleuze Henri Bergson Jacques Rivette Jean Epstein Jean Grémillon Marcel L'Herbier montage Philosophy Pier Paolo Pasolini Roberto Rossellini Russian dialectic of montage Sergei Eisenstein The Open the shot the Whole Vsevolod Pudovkin Wim Wenders
Cinema 1: The Movement-Image, Lecture 3, 24 November 1981
10.4231/A5DM-FR92
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 24 November 1981. This is lecture 3 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Abel Gance Audio Recording Deleuze Recordings Deleuze Seminars Duration Dziga Vertov Film Studies (Motion Pictures) French quantitative conception of montage Gilles Deleuze Henri Bergson Jean Grémillon Marcel L'Herbier Philosophy Russian dialectic of montage Sergei Eisenstein the movement-image the Whole Toscan du Plantier Vsevolod Pudovkin
Theory of Multiplicities in Bergson, 30 November 1969
10.4231/25NP-AF77
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/17/2024
Conference presentation by French philosopher Gilles Deleuze at the Philosophical Society (Paris), 30 November 1969 (date approximate).
20th Century French Philosophy Carl Stumpf Duration Edmund Husserl Gestalt qualities Gilles Deleuze Henri Bergson multiplicities multiplicity of juxtaposition multiplicity of penetration number as a multiplicity passive (non-intellectual) synthesis Philosophy Space the predicates one and multiple types of multiplicity
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