Subject
Creator
- Gilles Deleuze 72
- Charles Joseph Stivale, 0000-0001-9893-6197 67
- Daniel W Smith, 0009-0007-2293-2713 67
- Bernadette Luciano 5
- Susanna Scarparo 5
Type
Date
subject: Film Studies (Motion Pictures)
Total is 77 Results
What Is A Creative Act? Lecture, 17 March 1987
10.4231/B7TP-8408
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/09/2024
Lecture given by Deleuze at the FEMIS film school on 17 March 1987, with revised French transcription and new English translation.
20th Century French Philosophy Akira Kurosawa André Malraux art and resistance art as counter-information art resisting death blocks of movement Communication concepts control society creative process disciplinary society dreams Duration Film Studies (Motion Pictures) functions in science Fyodor Dostoyevsky Gilles Deleuze information Michel Foucault order-words Paul Klee Philosophy Robert Bresson sovereign society space-times speech acts systems of control the Straubs Video Vincente Minnelli William Shakespeare
Cinema, Truth, and Time: The Falsifier: Lecture 3, 29 November 1983
10.4231/FXN9-JP70
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 29 November 1983. This is lecture 3 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Alain Bergala Alain Resnais Alain Robbe-Grillet Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) G.W. Leibniz Gilles Deleuze Jorge Luis Borges Maurice Leblanc the falsifier
Cinema, Truth, and Time: The Falsifier: Lecture 16, 17 April 1984
10.4231/04BD-KR13
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/25/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 April 1984. This is lecture 16 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Arthur Rimbaud Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) Gilles Deleuze Hamlet Immanuel Kant indirect images of time Philosophy René Descartes reversal of movement and time
Cinema: On the Classification of Signs and Time: Lecture 23, 07 June 1983
10.4231/4XS3-WV23
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 07 June 1983. This is lecture 23 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy action-image affection-image centers of indetermination crystals of time Deleuze Recordings Deleuze Seminars direct time-image Federico Fellini Film Studies (Motion Pictures) Gilles Deleuze Henri Bergson indirect image of time light-image movement-image perception-image Roberto Rossellini
Cinema: On the Classification of Signs and Time: Lecture 15, 22 March 1983
10.4231/VZTY-VX66
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 22 March 1983. This is lecture 15 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy Abel Gance Audio Recording Deleuze Recordings Deleuze Seminars Fernand Léger Film Studies (Motion Pictures) French school of cinema German Romanticism Gilles Deleuze Immanuel Kant indirect image of time intensive movement Jakob Böhme Marcel L'Herbier mathematical sublime Olivier Messiaen Paul Klee Philosophy René Descartes Robert Delaunay three types of causes of God
Cinema: On the Classification of Signs and Time: Lecture 16, 12 April 1983
10.4231/MYRN-FM49
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 12 April 1983. This is lecture 16 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy Abel Gance Audio Recording chronocrony chronosigns cinechrony cinema image Deleuze Recordings Deleuze Seminars direct time-image dynamic sublime Film Studies (Motion Pictures) Gilbert Simondon Gilles Deleuze Immanuel Kant indirect image of time intensive movement intensive movement of time Jakob Böhme luminous mold mathematical sublime modulation modulation-images Philosophy temporal molding of light
An Interview with Antonietta De Lillo: Supplementary Content to Reframing Italy: New Trends in Italian Women's Filmmaking
10.4231/D3H41JM64
Bernadette Luciano , Susanna Scarparo
06/13/2013
This video interview with Antonietta De Lillo, a leading female Italian film director, accompanies the 2013 book Reframing Italy: New Trends in Italian Women's Filmmaking, by Bernardette Luciano and Susanna Scarparo.
Classical Studies Drama Film Studies (Motion Pictures) Global Languages and Literatures Italy Performing Arts Reframing Italy women filmmakers Women's Studies
An Interview with Costanza Quatriglio: Supplementary Content to Reframing Italy: New Trends in Italian Women's Filmmaking
10.4231/D3MW28F0K
Bernadette Luciano , Susanna Scarparo
06/13/2013
This video interview with Costanza Quatriglio, a leading female Italian film director, accompanies the 2013 book Reframing Italy: New Trends in Italian Women's Filmmaking, by Bernardette Luciano and Susanna Scarparo.
Classical Studies Drama Film Studies (Motion Pictures) Global Languages and Literatures Italy Performing Arts Reframing Italy women filmmakers Women's Studies
An Interview with Francesca Pirani: Supplementary Content to Reframing Italy: New Trends in Italian Women's Filmmaking
10.4231/D3RN3074Q
Bernadette Luciano , Susanna Scarparo
06/13/2013
This video interview with Francesca Pirani, a leading female Italian film director, accompanies the 2013 book Reframing Italy: New Trends in Italian Women's Filmmaking, by Bernardette Luciano and Susanna Scarparo.
Classical Studies Drama Film Studies (Motion Pictures) Global Languages and Literatures Italy Performing Arts Reframing Italy women filmmakers Women's Studies
An Interview with Marina Spada: Supplementary Content to Reframing Italy: New Trends in Italian Women's Filmmaking
10.4231/D3154DP2K
Bernadette Luciano , Susanna Scarparo
06/13/2013
This video interview with Marina Spada, a leading female Italian film director, accompanies the 2013 book Reframing Italy: New Trends in Italian Women's Filmmaking, by Bernardette Luciano and Susanna Scarparo.
Classical Studies Drama Film Studies (Motion Pictures) Global Languages and Literatures Italy Performing Arts Reframing Italy women filmmakers Women's Studies
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