PURR Registry

Cinema, Truth, and Time: The Falsifier: Lecture 16, 17 April 1984

10.4231/04BD-KR13

Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze

10/25/2024

Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 April 1984. This is lecture 16 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.

20th Century French Philosophy Arthur Rimbaud Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) Gilles Deleuze Hamlet Immanuel Kant indirect images of time Philosophy René Descartes reversal of movement and time

Cinema: On the Classification of Signs and Time: Lecture 15, 22 March 1983

10.4231/VZTY-VX66

Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze

10/23/2024

Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 22 March 1983. This is lecture 15 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.

20th Century French Philosophy Abel Gance Audio Recording Deleuze Recordings Deleuze Seminars Fernand Léger Film Studies (Motion Pictures) French school of cinema German Romanticism Gilles Deleuze Immanuel Kant indirect image of time intensive movement Jakob Böhme Marcel L'Herbier mathematical sublime Olivier Messiaen Paul Klee Philosophy René Descartes Robert Delaunay three types of causes of God

Kant: Synthesis and Time, Lecture 3, 28 March 1978

10.4231/ER7H-9390

Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze

10/29/2024

Seminar with four sessions, presented by French philosopher Gilles Deleuze at the Vincennes University in March-April 1978, before continuing to develop work on the War Machine for A Thousand Plateaus.

20th Century French Philosophy causality conceptual determination Deleuze Recordings Deleuze Seminars Descartes and time evil Gilles Deleuze Immanuel Kant joy Philosophy René Descartes spatio-temporal determination synthesis of perception the aesthetic comprehension the cogito the dynamical sublime the line of time the mathematical sublime the necessity of the form of an object or recognition the phenomenal the sublime the super-sensible faculty of the idea the symbol the synthesis of reproduction in the act of imagination the synthesis of the apprehension of parts