Subject
Creator
- Gilles Deleuze 70
- Charles Joseph Stivale, 0000-0001-9893-6197 65
- Daniel W Smith, 0009-0007-2293-2713 65
Type
Date
subject: 20th Century French Philosophy subject: Philosophy subject: Film Studies (Motion Pictures)
Total is 70 Results
What Is A Creative Act? Lecture, 17 March 1987
10.4231/B7TP-8408
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/09/2024
Lecture given by Deleuze at the FEMIS film school on 17 March 1987, with revised French transcription and new English translation.
20th Century French Philosophy Akira Kurosawa André Malraux art and resistance art as counter-information art resisting death blocks of movement Communication concepts control society creative process disciplinary society dreams Duration Film Studies (Motion Pictures) functions in science Fyodor Dostoyevsky Gilles Deleuze information Michel Foucault order-words Paul Klee Philosophy Robert Bresson sovereign society space-times speech acts systems of control the Straubs Video Vincente Minnelli William Shakespeare
Cinema, Truth, and Time: The Falsifier: Lecture 16, 17 April 1984
10.4231/04BD-KR13
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/25/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 April 1984. This is lecture 16 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Arthur Rimbaud Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) Gilles Deleuze Hamlet Immanuel Kant indirect images of time Philosophy René Descartes reversal of movement and time
Cinema: On the Classification of Signs and Time: Lecture 15, 22 March 1983
10.4231/VZTY-VX66
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 22 March 1983. This is lecture 15 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy Abel Gance Audio Recording Deleuze Recordings Deleuze Seminars Fernand Léger Film Studies (Motion Pictures) French school of cinema German Romanticism Gilles Deleuze Immanuel Kant indirect image of time intensive movement Jakob Böhme Marcel L'Herbier mathematical sublime Olivier Messiaen Paul Klee Philosophy René Descartes Robert Delaunay three types of causes of God
Cinema: On the Classification of Signs and Time: Lecture 16, 12 April 1983
10.4231/MYRN-FM49
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 12 April 1983. This is lecture 16 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy Abel Gance Audio Recording chronocrony chronosigns cinechrony cinema image Deleuze Recordings Deleuze Seminars direct time-image dynamic sublime Film Studies (Motion Pictures) Gilbert Simondon Gilles Deleuze Immanuel Kant indirect image of time intensive movement intensive movement of time Jakob Böhme luminous mold mathematical sublime modulation modulation-images Philosophy temporal molding of light
Cinema 1: The Movement-Image, Lecture 1, 10 November 1981
10.4231/AQ3N-Z997
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 10 November 1981. This is lecture 1 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy any-instants-whatever Audio Recording cinema and thought cinematographic perception cinematographic thought Deleuze Recordings Deleuze Seminars Duration extensive movement Film Studies (Motion Pictures) Galileo Gilles Deleuze Henri Bergson Immanuel Kant Johannes Kepler Philosophy René Descartes signs of the movement-image
Cinema 1: The Movement-Image, Lecture 2, 17 November 1981
10.4231/Z1BT-2336
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 November 1981. This is lecture 2 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Abel Gance Alfred Hitchcock Audio Recording Billy Wilder cineme Deleuze Recordings Deleuze Seminars Duration Erich von Stroheim extensive movement F.W. Murnau Film Studies (Motion Pictures) French quantitative conception of montage German intensive conception of montage Gilles Deleuze Henri Bergson Jacques Rivette Jean Epstein Jean Grémillon Marcel L'Herbier montage Philosophy Pier Paolo Pasolini Roberto Rossellini Russian dialectic of montage Sergei Eisenstein The Open the shot the Whole Vsevolod Pudovkin Wim Wenders
Cinema 1: The Movement-Image, Lecture 3, 24 November 1981
10.4231/A5DM-FR92
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 24 November 1981. This is lecture 3 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Abel Gance Audio Recording Deleuze Recordings Deleuze Seminars Duration Dziga Vertov Film Studies (Motion Pictures) French quantitative conception of montage Gilles Deleuze Henri Bergson Jean Grémillon Marcel L'Herbier Philosophy Russian dialectic of montage Sergei Eisenstein the movement-image the Whole Toscan du Plantier Vsevolod Pudovkin
Cinema 1: The Movement-Image, Lecture 4, 01 December 1981
10.4231/V485-KC84
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 01 December 1981. This is lecture 4 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy action-image affection-image Alfred North Whitehead Audio Recording Deleuze Recordings Deleuze Seminars Edmund Husserl Film Studies (Motion Pictures) Gilles Deleuze Henri Bergson Maurice Merleau-Ponty perception-image Phenomenology Philosophy prehensions recollection-image the movement-image
Cinema 1: The Movement-Image, Lecture 5, 05 January 1982
10.4231/EPYD-Q293
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 05 January 1982. This is lecture 5 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy action-image affection-image Alfred North Whitehead Audio Recording Bergsonism crisis in 20th-century psychology Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) Gilles Deleuze Henri Bergson perception-image Phenomenology Philosophy prehensions states of gaseous matter states of liquid matter states of solid matter the interval the movment-image
Cinema 1: The Movement-Image, Lecture 6, 12 January 1982
10.4231/5NJX-J407
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 12 January 1982. This is lecture 6 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy André Bazin Audio Recording consciousness-cinema Deleuze Recordings Deleuze Seminars Eric Rohmer Ernst Lubitsch Film Studies (Motion Pictures) free indirect image Fritz Lang Gilles Deleuze Henri Bergson Leslie Fiedler montage perception-image Philosophy Pier Paolo Pasolini shot-reverse shot subjective perception the movement-image the Western
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