subject: Film Studies (Motion Pictures) subject: montage
10.4231/58SA-BD74
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/24/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 24 April 1984. This is lecture 17 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Alain Resnais Alain Robbe-Grillet André Bazin any-space-whatever Audio Recording Carl Dreyer dance cinema Deleuze Recordings Deleuze Seminars depth of field direct time-image Federico Fellini Film Studies (Motion Pictures) Gilles Deleuze Jean Mitry Luchino Visconti montage musical comedy Orson Welles Philosophy pure optical and sound situation Stanley Donen time in pure state Yasujiro Ozu
10.4231/Z1BT-2336
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 November 1981. This is lecture 2 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Abel Gance Alfred Hitchcock Audio Recording Billy Wilder cineme Deleuze Recordings Deleuze Seminars Duration Erich von Stroheim extensive movement F.W. Murnau Film Studies (Motion Pictures) French quantitative conception of montage German intensive conception of montage Gilles Deleuze Henri Bergson Jacques Rivette Jean Epstein Jean Grémillon Marcel L'Herbier montage Philosophy Pier Paolo Pasolini Roberto Rossellini Russian dialectic of montage Sergei Eisenstein The Open the shot the Whole Vsevolod Pudovkin Wim Wenders
10.4231/5NJX-J407
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 12 January 1982. This is lecture 6 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy André Bazin Audio Recording consciousness-cinema Deleuze Recordings Deleuze Seminars Eric Rohmer Ernst Lubitsch Film Studies (Motion Pictures) free indirect image Fritz Lang Gilles Deleuze Henri Bergson Leslie Fiedler montage perception-image Philosophy Pier Paolo Pasolini shot-reverse shot subjective perception the movement-image the Western
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