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subject: Film Studies (Motion Pictures) subject: Henri Bergson subject: Alain Robbe-Grillet

Total is 3 Results
Cinema, Truth, and Time: The Falsifier: Lecture 2, 22 November 1983

10.4231/WMZM-2A58

Charles Joseph Stivale ORCID logo , Daniel W Smith ORCID logo , Gilles Deleuze

10/23/2024

Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 22 November 1983. This is lecture 2 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.

20th Century French Philosophy Alain Resnais Alain Robbe-Grillet Audio Recording crystalline formations Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) Gilles Deleuze Henri Bergson Herman Melville Orson Welles Philosophy the falsifier

Cinema 1: The Movement-Image, Lecture 19, 18 May 1982

10.4231/ADCT-AF11

Charles Joseph Stivale ORCID logo , Daniel W Smith ORCID logo , Gilles Deleuze

10/17/2024

Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 18 May 1982. This is lecture 19 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.

20th Century French Philosophy Alain Resnais Alain Robbe-Grillet Audio Recording Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) French New Novel French New Wave Georges Comtesse Gilles Deleuze Henri Bergson Italian Neorealism (Film) Martin Scorsese Orson Welles Philosophy pure optical and sound situation the movement-image The Time-Image William Wyler

Cinema 1: The Movement-Image, Lecture 20, 25 May 1982

10.4231/TT6T-J475

Charles Joseph Stivale ORCID logo , Daniel W Smith ORCID logo , Gilles Deleuze

10/17/2024

Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 25 May 1982. This is lecture 20 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.

20th Century French Philosophy Alain Resnais Alain Robbe-Grillet Antonin Artaud Audio Recording cinema-thought link critical mode of image Deleuze Recordings Deleuze Seminars didactic mode of image Film Studies (Motion Pictures) Georges Comtesse Gilles Deleuze Henri Bergson imaginary mode of image Philosophy suspension of the sensory-motor image temporal mode of image the cinematographic Idea the movement-image the pure sensorial image The Time-Image

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