subject: Henri Bergson subject: Wim Wenders subject: Alfred Hitchcock
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Cinema 1: The Movement-Image, Lecture 2, 17 November 1981
10.4231/Z1BT-2336
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 November 1981. This is lecture 2 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Abel Gance Alfred Hitchcock Audio Recording Billy Wilder cineme Deleuze Recordings Deleuze Seminars Duration Erich von Stroheim extensive movement F.W. Murnau Film Studies (Motion Pictures) French quantitative conception of montage German intensive conception of montage Gilles Deleuze Henri Bergson Jacques Rivette Jean Epstein Jean Grémillon Marcel L'Herbier montage Philosophy Pier Paolo Pasolini Roberto Rossellini Russian dialectic of montage Sergei Eisenstein The Open the shot the Whole Vsevolod Pudovkin Wim Wenders
Cinema 1: The Movement-Image, Lecture 10, 23 February 1982
10.4231/A45X-VC14
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 23 February 1982. This is lecture 10 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy affection-image Alexander Dovzhenko Alfred Hitchcock Audio Recording Charlie Chaplin close-up D.W. Griffith Deleuze Recordings Deleuze Seminars Dov Federico Fellini Film Studies (Motion Pictures) Franz Kafka German Expressionism (Film) Gilles Deleuze Henri Bergson Ingmar Bergman Josef von Sternberg Philosophy Robert Bresson Sergei Eisenstein the face as landscape the movement-image Wim Wenders
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