subject: Charles Sanders Peirce subject: Film Studies (Motion Pictures)
Total is 3 Results
The Movement-Image: Bergsonian Lessons on Cinema: Lecture 12, 09 March 1982
10.4231/EFEG-2E73
06/20/2019
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 09 March 1982. This is lecture 12 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Audio Recording Charles Sanders Peirce Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) Gilles Deleuze Jean-Luc Godard Joris Ivens Maine de Biran Maurice Merleau-Ponty Phenomenology Philosophy Plato Semiotics Sergei Eisenstein
Cinema 1: The Movement-Image, Lecture 13, 16 March 1982
10.4231/KM8S-6E78
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 16 March 1982. This is lecture 13 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy action-image Audio Recording Charles Sanders Peirce Deleuze Recordings Deleuze Seminars Émile Zola Erich von Stroheim Film Studies (Motion Pictures) Gilles Deleuze Henri Bergson Joris-Karl Huysmans Luis Buñuel Marco Ferreri Philosophy Raymond Roussel Repetition Søren Kierkegaard the movement-image
Cinema 1: The Movement-Image, Lecture 15, 20 April 1982
10.4231/H8D0-CK34
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 20 April 1982. This is lecture 15 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy A Thousand Plateaus A-S-A’ formula action-image action-image grand form Audio Recording character degradation Charles Sanders Peirce Deleuze Recordings Deleuze Seminars F. Scott Fitzgerald Film Studies (Motion Pictures) German Expressionist degradation Gilles Deleuze Henri Bergson Howard Hawks Philosophy Realist degradation S-A-S’ formula the movement-image
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