Subject
Creator
- Gilles Deleuze 3
- Charles Joseph Stivale, 0000-0001-9893-6197 2
- Daniel W Smith, 0009-0007-2293-2713 2
Type
- Dataset 3
Date
subject: Philosophy subject: André Bazin subject: Deleuze Recordings
Total is 3 Results
The Movement-Image: Bergsonian Lessons on Cinema: Lecture 14, 23 March 1982
10.4231/R7X928GG
11/30/2017
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 23 March 1982. This is lecture 14 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy André Bazin Audio Recording Deleuze Recordings Deleuze Seminars Erich von Stroheim Film Fritz Lang Gilles Deleuze Luchino Visconti Luis Buñuel Motion Pictures Philosophy
Cinema, Truth, and Time: The Falsifier: Lecture 17, 24 April 1984
10.4231/58SA-BD74
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/24/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 24 April 1984. This is lecture 17 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Alain Resnais Alain Robbe-Grillet André Bazin any-space-whatever Audio Recording Carl Dreyer dance cinema Deleuze Recordings Deleuze Seminars depth of field direct time-image Federico Fellini Film Studies (Motion Pictures) Gilles Deleuze Jean Mitry Luchino Visconti montage musical comedy Orson Welles Philosophy pure optical and sound situation Stanley Donen time in pure state Yasujiro Ozu
Cinema 1: The Movement-Image, Lecture 6, 12 January 1982
10.4231/5NJX-J407
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 12 January 1982. This is lecture 6 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy André Bazin Audio Recording consciousness-cinema Deleuze Recordings Deleuze Seminars Eric Rohmer Ernst Lubitsch Film Studies (Motion Pictures) free indirect image Fritz Lang Gilles Deleuze Henri Bergson Leslie Fiedler montage perception-image Philosophy Pier Paolo Pasolini shot-reverse shot subjective perception the movement-image the Western
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