subject: G.W.F. Hegel subject: Film Studies (Motion Pictures) subject: Audio Recording
10.4231/QYD2-1T94
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 03 May 1983. This is lecture 19 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy Audio Recording Blaise Pascal Charles Péguy chronosigns Deleuze Recordings Deleuze Seminars dynamic sublime Film Studies (Motion Pictures) G.W. Leibniz G.W.F. Hegel Georges Comtesse Gilles Deleuze Henri Bergson Honoré de Balzac indirect figures of thought indirect image of time interiority of time Marcel Proust mathematical sublime narrative point of view noosigns Philosophy
10.4231/5EXW-P129
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/23/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 May 1983. This is lecture 20 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy Audio Recording Blaise Pascal Carl Dreyer Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) G.W. Leibniz G.W.F. Hegel German Romanticism Gilles Deleuze Immanuel Kant indirect figures of thought Jean-Paul Sartre Marcel Proust Philosophy René Descartes Robert Bresson synthetic identity Søren Kierkegaard “either-or” thought
10.4231/R70Z71GN
01/18/2018
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 29 January 1985. This is lecture 11 of a 26-lecture seminar Deleuze taught between October 1984 and June 1985.
20th Century French Philosophy Alexandre Kojève Alexandre Koyré Audio Recording Bertolt Brecht Cinematography Consciousness Deleuze Recordings Deleuze Seminars Eric Weil Film Studies (Motion Pictures) French Hegelians G.W.F. Hegel Georges Bataille Gestus Acting Technique Gilles Deleuze Jean-Luc Godard Marquis de Sade Phenomenology Philosophy Photography Raymonde Carasco Roland Barthes Serge Daney Sergei Eisenstein Subjectivity Theater Time
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