subject: affection-image subject: German Expressionism (Film)
10.4231/A45X-VC14
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 23 February 1982. This is lecture 10 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy affection-image Alexander Dovzhenko Alfred Hitchcock Audio Recording Charlie Chaplin close-up D.W. Griffith Deleuze Recordings Deleuze Seminars Dov Federico Fellini Film Studies (Motion Pictures) Franz Kafka German Expressionism (Film) Gilles Deleuze Henri Bergson Ingmar Bergman Josef von Sternberg Philosophy Robert Bresson Sergei Eisenstein the face as landscape the movement-image Wim Wenders
10.4231/YB93-CS17
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 02 March 1982. This is lecture 11 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Affect affection-image Agnès Varda any-spaces-whatever Audio Recording close-up Daniel Schmid Deleuze Recordings Deleuze Seminars experimental cinema German Expressionism (Film) Gilles Deleuze Henri Bergson horror genre Jean-Luc Godard Michael Snow Michelangelo Antonioni Pascal Auger Philosophy pulsion Rainer Werner Fassbinder The Face the movement-image the Straubs
10.4231/9BZN-Y487
Charles Joseph Stivale , Daniel W Smith , Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 09 March 1982. This is lecture 12 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy action-image affection-image Alfred North Whitehead American burlesque comedy Audio Recording Charles Sanders Peirce Deleuze Recordings Deleuze Seminars Firstness German Expressionism (Film) Gilles Deleuze Henri Bergson Jean-Luc Godard Maine de Biran Philosophy Secondness Sergei Eisenstein the action-image sequence the movement-image Thirdness
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