Subject
Creator
- Charles Joseph Stivale, 0000-0001-9893-6197 5
- Daniel W Smith, 0009-0007-2293-2713 5
- Gilles Deleuze 5
Type
- Dataset 5
Date
- 2024 5
subject: Pier Paolo Pasolini subject: Audio Recording subject: Film Studies (Motion Pictures)
Total is 5 Results
Cinema: On the Classification of Signs and Time: Lecture 7, 11 January 1983
10.4231/RSKB-ZH83
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/22/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 11 January 1983. This is lecture 7 of a 23-lecture seminar Deleuze taught between November 1982 and June 1983.
20th Century French Philosophy affection-image Audio Recording Charles Sanders Peirce Deleuze Recordings Deleuze Seminars faciality Film Studies (Motion Pictures) Gilles Deleuze Peirce's nine sign categories perception-image Philosophy Pier Paolo Pasolini Samuel Beckett Zeroness as perception-image
Cinema, Truth, and Time: The Falsifier: Lecture 8, 17 January 1984
10.4231/QXT4-1T05
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/24/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 January 1984. This is lecture 8 of a 22-lecture seminar Deleuze taught between November 1983 and June 1984.
20th Century French Philosophy Audio Recording Carl Dreyer crisis of truth Deleuze Recordings Deleuze Seminars Film Studies (Motion Pictures) Gilles Deleuze Jean Epstein Jean Renoir Jean-Louis Schefer Luchino Visconti Philosophy Pier Paolo Pasolini powers of the false Roberto Rossellini time and movement
Cinema 1: The Movement-Image, Lecture 7, 19 January 1982
10.4231/4Y3E-3680
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 19 January 1982. This is lecture 7 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Audio Recording Deleuze Recordings Deleuze Seminars Dziga Vertov earth-based perception Film Studies (Motion Pictures) free indirect image gaseous perception George Landow Gilles Deleuze Henri Bergson Jean Grémillon Jean Mitry Jean Renoir Jean Vigo Jean-Pierre Bamberger Joseph Losey liquid perception perception-image Philosophy Pier Paolo Pasolini René Clair Stan Brakhage the movement-image
Cinema 1: The Movement-Image, Lecture 2, 17 November 1981
10.4231/Z1BT-2336
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 17 November 1981. This is lecture 2 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy Abel Gance Alfred Hitchcock Audio Recording Billy Wilder cineme Deleuze Recordings Deleuze Seminars Duration Erich von Stroheim extensive movement F.W. Murnau Film Studies (Motion Pictures) French quantitative conception of montage German intensive conception of montage Gilles Deleuze Henri Bergson Jacques Rivette Jean Epstein Jean Grémillon Marcel L'Herbier montage Philosophy Pier Paolo Pasolini Roberto Rossellini Russian dialectic of montage Sergei Eisenstein The Open the shot the Whole Vsevolod Pudovkin Wim Wenders
Cinema 1: The Movement-Image, Lecture 6, 12 January 1982
10.4231/5NJX-J407
Charles Joseph Stivale
,
Daniel W Smith
,
Gilles Deleuze
10/16/2024
Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 12 January 1982. This is lecture 6 of a 21-lecture seminar Deleuze taught between November 1981 and June 1982.
20th Century French Philosophy André Bazin Audio Recording consciousness-cinema Deleuze Recordings Deleuze Seminars Eric Rohmer Ernst Lubitsch Film Studies (Motion Pictures) free indirect image Fritz Lang Gilles Deleuze Henri Bergson Leslie Fiedler montage perception-image Philosophy Pier Paolo Pasolini shot-reverse shot subjective perception the movement-image the Western
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